Breathtakingly well-written. And how could one not keep reading, no matter how endless, a book with a line such as “You...
Vast opening salvo in a thunderous assault on the prideful prejudice that separates “us” from “them” in the time of AIDS.
“I may be going back further than necessary in laying out the backstory,” writes author/activist Kramer (Faggots, 1978, etc.), “but if this is the prime complaint against me, I shall remain consistent to my belief that all is better than less than all….I remind you once again that this is my history of the plague.” Our narrator is not quite omniscient, just as this huge book doesn’t exactly sprawl; sometimes it lounges like an odalisque, and sometimes it huffs up to grizzly bear proportions. Ever the controversialist, Kramer doesn’t hesitate to start on provocative ground: After introducing us to an alter ego–ish writer who is struggling with an equally massive history of the American people—the other ones, the ones who are enduring this “Plague of The Underlying Condition”—he announces that “the First American People are monkeys who ate each other.” Say what? Kramer’s anthropology may have its debatable points, but it points both to the antiquity of the illness and to a human condition—ahem, underlying condition—of violence and segregation, to a chronology that hurtles forward to Ronald Reagan’s coded assurance that there was indeed an “us” and a “them” at play in the terrible disease. The victims are endless: “sailors, whores, orphaned children, the abscessed, the poxed, the near-dead, and yes, the dead” figure in Kramer’s genealogy, which, for all of its awareness of the Grim Reaper, is defiantly lively. There is nary a dog in these pages that is not supremely shaggy, never a missed opportunity to offend someone. Kramer ranges among voices, eras and styles, the dominant ones being steely anger shading into Pynchon-esque goofiness but always with serious intent.
Breathtakingly well-written. And how could one not keep reading, no matter how endless, a book with a line such as “You don’t just drop a penis like Tibby’s into the narrative and let it go”?Pub Date: April 7, 2015
ISBN: 978-0-374-10439-9
Page Count: 800
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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IN THE NEWS
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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