For Billy the Kid, that is—here, a "young, short, dirty, ugly, and violent" killer, but still magnet enough to polarize the fabulous cast of historical and fictional characters that McMurtry (Texasville, 1987; Lonesome Dove, 1985; etc.) assembles in this lustrous new Western entertainment. The man who'd do anything for Billy is Ben Sippy, top author of dime novels such as Boiled in Yellowstone; or, Mustang Merle Amid the Geysers, late of Philadelphia and gone west at age 50 to seek adventure. Adventures he finds in spades, narrating them decades after the fact in short, often cliffhanger chapters that make this rich tale McMurtry's own sophisticated version of a "dimer." Instant failure at train robbery—the train just won't stop for him—finds Ben stranded in New Mexico when Billy comes "walking out of a cloud" towards him, "a pistol in each hand and a scared look on his rough young face." Ben and Billy take a shine to each other and, joined by saintly cowboy Joe Lovelady, roam the West in tandem during the few months that see Billy mutate from novice outlaw—so far, he's murdered only one man, half by accident—into a wanton killer. Along the way, Billy—with Ben in loyal tow—falls afoul of Will Issinglass—richest rancher in the West—and his right-hand man, the seven-foot tall, camel-riding African warrior Mesty-Woolah; mixes up with Doc Holliday, Bloody Feathers, Hill Coe, and other Western legends; is bedded by both Will's chili-pepper-blooded outlaw daughter and ice-goddess British mistress (who sleeps with Ben too); sinks ever deeper into glumness and ill health; and watches his young life turn into an uncontrollable myth as killing becomes a habit that he rides at full gallop towards an early death. Stuffed with excitement, humor, tragedy, and leathery Western lore; centerpieced by McMurtry's vibrant portrait of Billy, scary, pathetic, yet darkly if oddly sympathetic; told in a warm, wise voice that you wish would never cease: this is a golden, always surprising yarn, and a welcome return by McMurtry to the high-stepping form of Lonesome Dove.
Pub Date: Oct. 14, 1988
ISBN: 0743216288
Page Count: 420
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Sept. 15, 1988
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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