Reminds warmly of Lonesome Dove and others in the McMurtry canon (Comanche Moon, 1997, etc.): colorful, poignant, funny.
McMurtry returns to the Old West he knows so well and loves so deeply for this first in a series.
On an otherwise ordinary day in 1866, Mary Margaret Cecil’s steel-trap mind clangs shut. Time to leave Boone’s Lick, Missouri, and trek west to Wyoming, she suddenly announces to that passel of folk who are completely dependent on her—for their physical well being, for their values, and, yes, for ongoing entertainment. Her brood is composed of three teenagers and a toddler, but that by no means completes the universe. There’s also rickety-rackety Granpa Crackenthorpe; Rosie, the sweet-natured whore, her half sister, and the ever resourceful Uncle Seth, Mary Margaret’s faithful swain, who also happens to be her brother-in-law. And once the buckboards are westward bound, there are two more notable additions: Charley Seven Days, the enigmatic Shoshone on a knightly mission, and Père Villy, a Friar Tuck of a priest, heading for Siberia, where he’s decided he’s needed. The why of the Cecil clan’s migration? The object is to track down Dick Cecil, that wandering wagoner, Mary Margaret’s husband, who hasn’t been seen in Boone’s Lick parts for upwards of 14 months. But then what? That’s what Shay Cecil, the story’s first-person narrator, would like to know. As for that, Ma keeps her own counsel. There will be Indian fights, brushes with bears, an almost disaster at a river crossing, surprise meetings, painful departures, dozens of near-death experiences until, finally, the trail ends at Wyoming’s far-flung Fort Phil Kearney. There, Dick Cecil’s family encounters . . . Dick Cecil’s family, and the irascible, indomitable Mary Margaret does what she’s traveled those hundreds of miles to do.
Reminds warmly of Lonesome Dove and others in the McMurtry canon (Comanche Moon, 1997, etc.): colorful, poignant, funny.Pub Date: Nov. 10, 2000
ISBN: 0-684-86886-5
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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