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SACAGAWEA’S NICKNAME

ESSAYS ON THE AMERICAN WEST

Though they sometimes have an ephemeral, dashed-off feel, these pieces will please McMurtry fans and be of interest to...

Occasional writings on matters western by a noted interpreter of the region.

Born in the New York Review of Books, these 12 pieces are not so much essays as extended book reviews, a genre in which McMurtry—novelist (Duane’s Depressed, 1999, etc.), essayist (Walter Benjamin at the Dairy Queen, 1999, etc.), memoirist (Paradise, p. 566), bookseller, and bibliophile—is an ascended master. McMurtry notes that good writing about the West has long been the exception rather than the rule, even though the region has produced a flood of books over the last two centuries; this condition, he adds, may be a failure of talent but is more likely a failure of community, for books seem to be less than completely cherished on the still-raw frontier, which, he writes, has quickly devolved from hero-spawning outback to ennui-spawning suburbia. At the top of his list of exceptional works are the journals of William Clark and Meriwether Lewis, full of odd spellings and veiled episodes, which “are to the narrative of the American West as the Iliad is to the epic or as Don Quixote is to the novel”; others are Leslie Silko’s novel Almanac of the Dead, the environmental writings of Edward Abbey, and the lushly inventive Zuni ethnographies of Frank Hamilton Cushing. McMurtry is kind to lesser writers, though he reserves a little venom for a deserving few: “almost any passage in any of Zane Grey’s books makes it cruelly obvious that the man failed to master even the most basic unit of his craft: the prose sentence”; “I feel sure that one reason for the immense, continuing popularity of Louis L’Amour’s works is that he shared no ironies.”

Though they sometimes have an ephemeral, dashed-off feel, these pieces will please McMurtry fans and be of interest to students of the American West.

Pub Date: Nov. 1, 2001

ISBN: 0-940322-92-7

Page Count: 178

Publisher: New York Review Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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