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STREETS OF LAREDO

A handsome young psychopath begins a spree of train robbery and murder in the West Texas border country, and the victimized railroad hires the legendary Ranger Captain Woodrow Call, aging hero of McMurtry's Lonesome Dove, to stop him. Gabby, funny Gus McCrae is in his grave, but years later other veterans of McMurty's epic cattle drive live on. Woodrow Call is nearly an old man, still maintaining his reputation as the greatest manhunter in the West. Living nearby, Pea-Eye, Call's old corporal, is a farmer married to Lorena, the gracefully fading beauty who once worked as a prostitute. Pea-Eye and Lorena, the only teacher at the little local school, have five children. Captain Call's final manhunt begins with orders from Colonel Terry, president of the railroad whose trains have been knocked off and passengers murdered by coldblooded Joey Garza. Call summons Pea-Eye to ride with him as he has always done, but Pea-Eye, who almost desperately loves his farm and family and who is beginning to feel his age, refuses the Captain for the first time in his life, and Call has to begin his hunt with no help other than that of Mr. Brookshire—the Brooklyn accountant Col. Terry sent to mind his money. The manhunt is almost immediately complicated by the return of Mox Mox, a murderous pervert who likes to torture and burn his victims. Mox Mox is working the same territory as Joey Garza, a beat also patrolled by the gunslinger John Wesley Harding. It's really more than Call can handle, no matter how quickly the terrified Mr. Brookshire loses his city-bred helplessness. As Call slowly tracks Garza, Maria (Garza's mother) sets out to save her son; a guilt-ridden Pea-Eye finally rides off to join his old boss; and Lorena follows her husband. Everybody who survives winds up in Joey's hometown for the showdown. Bleak, stately, terrifying, and moving: It's not just the wonderful story and completely original, perfectly American characters; McMurtry writes as well about aging as has ever been done.

Pub Date: Aug. 23, 1993

ISBN: 0-671-79281-4

Page Count: 592

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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