by Larry Rohter ‧ RELEASE DATE: Sept. 1, 2010
With the recent granting of the 2016 Summer Olympics to Rio de Janeiro, Rohter’s accomplished overview proves a solid...
A timely, readable study of Brazil’s history and current prospects.
Having traveled and lived in the country since the early ’70s, New York Times culture reporter Rohter has found that Brazil’s motto of “Order and Progress”—once denigrated as “Disorder and Backwardness”—has finally come to fruition. From a country where 80 percent of the population once lived in the countryside, the other 20 in the cities, the percentages are now reversed, and Brazil’s current 200 million inhabitants make up the fifth most populous country in the world. The country also has a land area greater than the continental United States. Self-sufficient in oil and gas, the world’s foremost manufacturer of ethanol, thanks to the country’s forward-thinking use of the abundantly renewable sugarcane, and with the staggering natural resources of the Amazon at its disposal—to disastrous ecological results—Brazil is indeed a global force to be reckoned with. From the succession of military dictatorships of the late ’60s to the ’70s, accompanied by the so-called economic Brazilian Miracle of the early ’70s, to the slide into the comfortable democracy of charismatic leaders Fernando Henrique Cardoso and Luiz Inácio Lula da Silva—the latter has been the presiding president since 2002—the country has achieved political stability and huge economic growth during the last 15 years. Rohter looks at the rich makeup of the country, starting with a (too) cursory history of the Portuguese arrival in 1500, who displaced but did not annihilate the indigenous tribes; the curse of the importation of African slaves (slavery wasn’t abolished until the 1880s); and the racial mixing that came to define Brazilian culture—curiously, the “white elite” endorsed the “whitening” of the black population for the purposes of superior “ethnic composition” well up to 1945. The author also offers an evenhanded consideration of some of Brazil’s most celebrated artifacts, including Carnaval, soccer and samba. Overall, he depicts a tolerant people intent on being taken seriously.
With the recent granting of the 2016 Summer Olympics to Rio de Janeiro, Rohter’s accomplished overview proves a solid brush-up.Pub Date: Sept. 1, 2010
ISBN: 978-0-230-61887-9
Page Count: 288
Publisher: Palgrave Macmillan
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: June 15, 2010
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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