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THE TIPPING POINT OF OLIVER BASS

A page-turning mystery with a frustrating protagonist from a veteran storyteller.

A pathologically arrogant, wealthy young man sets off on a journey of self-discovery, family tragedy, and sexual conquest in Spencer’s modern California noir debut.

Oliver Bass, 17, has been expelled from his fancy San Francisco prep school for talking back to his teachers, despite his historically high grade-point average. In his emotionally cold Pacific Heights home, where Oliver exhaustively reminds readers that his parents didn’t hug him enough as a child, his psychotherapist stepmother Lorraine decides to send Oliver to live with one of her patients for the summer. She believes that Oliver and said patient, Vance Briggs, will help one another grow, as the teen is still recovering from the fact that his mother killed herself when he was 5, and investigative journalist Vance is grieving the suicide of his wife and the loss of his son, Alex, in a car accident. So Oliver goes to Venice, California, to meet the weed-smoking, light-beer–swilling Vance.Things get off to a murky start, as Oliver is threatened by an infamous Venice boardwalk vagrant and bats away a beautiful woman like a fly. Then Vance reveals that he thinks that his wife and Oliver’s mother were actually killed by others. This could simply be a whacked-out hunch, but then the two uncover a few clues, even as Oliver remains doubtful. Spencer is a former writer and producer of TV sitcoms such as 227 and Valerie, but his novel is cinematic—even sprawling. As a character, Oliver toes a curious line between Holden Caulfield and Philip Marlowe, but he’s leagues less likable than both. He’s articulate but piggishly sexist and full of contradictions; for example, he simultaneously possesses aggressive intolerance for Republicans and curiously hostile opinions regarding immigration. Halfway through, readers may question why they’ve agreed to follow this detestable boy’s journey—but they’ll undoubtedly finish it, as the story itself remains entertaining throughout.

A page-turning mystery with a frustrating protagonist from a veteran storyteller.

Pub Date: March 24, 2017

ISBN: 978-0-692-85986-5

Page Count: 216

Publisher: CreateSpace

Review Posted Online: May 15, 2017

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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