A prequel to Montana 1948 (1993), once again centered on the Hayden family of Montana, though this time the focus broadens beyond a small-town sheriff and his bad brother to explore the theme of justice in a series of intimate short stories. The collection is notable for its unrelenting tension, the result of texture and detail more than plot or conflict. The striking novella that opens the volume, ``Outside the Jurisdiction,'' shows brothers Wesley and Frank Hayden, sons of sheriff Julian, setting off with two no-accounts in 1924 for a town outside their father's jurisdiction. At a local cafe the boys—or at least the no-accounts—harass two Indian girls; the local sheriff humiliates them with ad hoc justice before sending them home. The next story, ``Julian Hayden,'' moves the action back to 1899, when their father arrived in Montana and began homesteading with his widowed mother and sisters; when one sister is overworked by a minister in another town, Julian takes justice into his own hands. Moving ahead seven years to 1906, ``Enid Garling'' tells the story of Julian's wife; she thwarts her possessive father by marrying Julian. ``Thanksgiving'' captures the family in 1927, when the sons return from college for the holidays and Wesley begins to understand that brother Frank is not to be trusted (a major theme in Montana 1948). Of the remaining episodes, ``Len McAuley'' profiles a deputy who develops a crush on Wesley's wife, Gail, in 1935; ``Sheriff's Wife'' and ``The Visit,'' both set in 1937, chronicle Gail's disillusionment with her husband's brand of frontier justice and the birth of their son, David. Episodic, but also an intense, vivid portrait of braided lives.
Pub Date: Feb. 1, 1995
ISBN: 1-57131-002-9
Page Count: 228
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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