by Lasantha Rodrigo ‧ RELEASE DATE: Oct. 17, 2016
An affecting self-portrait of perseverance in the face of misfortune.
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In this debut memoir, a Sri Lankan man chronicles his struggles with sexual identity and a serious illness.
Rodrigo was born in a suburban neighborhood in Sri Lanka, and while his family wasn’t affluent, they were able to live in his grandmother’s sizable mansion. The author was always self-consciously aware of the ways in which he was divided from others—his dark skin and hip bone condition that plagued him all of his youth, forcing him to wear a cumbrous metal brace on his leg as he slept. But mostly, a sense of isolation issued from his burgeoning sexual identity—he liked to design clothes for dolls and dreamed of wearing women’s clothes: “I wanted to be the mom, so I could wear the sari with peacock feathers. Though Amma didn’t wear makeup, Akka had some. But I was a boy. I didn’t want people to laugh at me. The saris continued to tempt, however. I wanted to look beautiful like a mermaid.” Rodrigo found some solace in theater, enthusiastically acting in school productions of The Merchant of Venice and The Importance of Being Earnest—in the latter, he played Lady Bracknell, fulfilling a dream. But he still found it necessary in high school to play the role of the straight boy in order to avoid bullying and harassment. He won a scholarship to an American college and then eventually pursued a doctorate in English. But Rodrigo’s academic achievements were often overshadowed by his increasing physical disability, the result of multiple sclerosis. The author’s remembrance is plainly but beautifully written, the power of the prose embedded in its intrepid candor. Rodrigo’s life is one beset by adversity, but he maintains a remarkably cheerful gratitude for it nonetheless (“I constantly remind myself how small I am in the greater scheme of things, but at the same time, that I could do something even when my aging and gradually rotting body might be uncooperative….I have a good life and keep myself busy. I can still dream”). With searing poignancy, he captures both the exhilaration and pain of experiencing one’s difference, the dynamic interplay between uniqueness and alienation. In addition, while the focus of the book is personal, he provides an astute account of the ethnic and political divisions that roiled Sri Lanka.
An affecting self-portrait of perseverance in the face of misfortune.Pub Date: Oct. 17, 2016
ISBN: 978-0-692-78396-2
Page Count: 234
Publisher: CreateSpace
Review Posted Online: April 6, 2018
Kirkus Reviews Issue: June 15, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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