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TOWN BOY

Picking up where Kampung Boy (2006) left off, adorable Mat is now ten years old and has moved from his small village to the bustling town of Ipoh. He and his new best friend—Freddie, a young Chinese boy—are bonded instantly by their love of rock-’n’-roll music. As the narrative follows the boys through seven years of their friendship during the 1960s, the pair faces the usual trials and tribulations of teen life—like girls and schoolwork—portrayed through lavishly ebullient cityscapes. Lat uses text sparingly and juxtaposes it in smart synchrony to the illustrations, providing ample time to linger over the details. As in his earlier work, Lat’s eye for perspective dazzles, firmly thrusting the reader into his richly composed settings. The meticulous renderings of the boys’ childhoods make way to boxier, controlled scenes as the boys age. Though well-done, there is little explanation of the Malaysian words or customs throughout the narrative, and fonts change often and without explanation, both of which may be disjointing to readers. While visually stimulating, this volume is less charming and captivating than its predecessor. (Graphic novel. 12+)

Pub Date: Oct. 1, 2007

ISBN: 978-1-59643-331-1

Page Count: 192

Publisher: First Second/Roaring Brook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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WHITE BIRD

A WONDER STORY

A must-read graphic novel that is both heart-rending and beautifully hopeful.

A grandmother shares her story of survival as a Jew in France during World War II.

As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.

A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-64553-5

Page Count: 224

Publisher: Knopf

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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AKIKO ON THE PLANET SMOO

Opening episodes of a comic-book series created by an American teacher in Japan take a leap into chapter-book format, with only partial success. Resembling—in occasional illustrations—a button-eyed, juvenile Olive Oyl, Akiko, 10, is persuaded by a pair of aliens named Bip and Bop to climb out her high-rise bedroom’s window for a trip to M&M-shaped Planet Smoo, where Prince Fropstoppit has been kidnapped by widely feared villainness Alia Rellaport. Along with an assortment of contentious sidekicks, including brainy Mr. Beeba, Akiko battles Sky Pirates and video-game-style monsters in prolonged scenes of cartoony violence, displaying resilience, courage, and leadership ability, but not getting very far in her rescue attempt; in fact, the story cuts off so abruptly, with so little of the quest completed, and at a lull in the action to boot, that readers expecting a self-contained (forget complete) story are likely to feel cheated. (Fiction. 10-12)

Pub Date: Feb. 8, 2000

ISBN: 0-385-32724-2

Page Count: 162

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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