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TONGUELESS

A taut, chilling novel about the weaponization of language as a tool of oppression.

In Lau’s dark, provocative debut about two Chinese language teachers in an increasingly suppressed Hong Kong, politics becomes personal.

Two months after Wai’s gruesome suicide by an electric drill, her cubicle remains untouched. Even the bizarre mirrors that cover her desk and bookcase stay in place, a sight that the other teachers in the Chinese department at the Sing Din Secondary School avoid. But Ling, who sat closest to Wai, is reminded every afternoon when the sea of mirrors reflects the glare of the sunlight. Her life has changed dramatically since Wai’s death; forced to teach Wai’s classes, Ling finds that her workload has increased to the point that “she didn’t leave school until eight or nine o’clock each night.” Worse, her principal is pressuring her to take the LPAT, a test used to measure Chinese language teachers’ ability to teach in Mandarin. Many schools in Hong Kong are switching from teaching in the native Cantonese to the Mandarin of the Chinese mainland. The principal warns, “Competition is fierce. Ling, you’re smart. You understand what I’m getting at.” The author skillfully toggles the narrative between the present and the past to contrast the two teachers’ approaches to an unavoidable professional challenge. Awkward Wai alienates her colleagues by insisting on speaking Mandarin in staff meetings. Clever Ling’s social savviness, which enabled her to coast at the school for 10 years, is no longer enough to save her from mirroring her colleague’s downward spiral—unless she makes a radical change. The use of mirrors (the word is repeated more than 100 times throughout the novel) is a powerful metaphor, not only for Ling’s lack of self-reflection but also for a society that values surface appearances (designer brands and plastic surgery are popular topics of discussion in the teachers’ office). Translator Feeley’s concluding essay offers insightful context on Hong Kong’s current political situation.

A taut, chilling novel about the weaponization of language as a tool of oppression.

Pub Date: June 11, 2024

ISBN: 978-1-55861-318-8

Page Count: 280

Publisher: Feminist Press

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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BEAUTIFUL UGLY

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.

Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.

“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.

Pub Date: Jan. 14, 2025

ISBN: 9781250337788

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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