An engrossing novel that challenges stale narratives of colonial America.
In Rader’s 17th-century-set drama, an English settler in the New World attempts to rescue his wife, who has been kidnapped by Indigenous people.
In the 1670s, war breaks out between English settlers who are arriving in the New World in increasing number and the River Indians who have been dispossessed of their land, led by Metacomet, whom the English dub King Philip. Benjamin Waite, who lives in Hatfield (part of the Massachusetts Bay Colony) with his wife Martha and his three daughters, is reluctantly drawn into the conflict and marches off to attack a neighboring Indian village—to his great horror, his band massacres the mostly defenseless natives, including women and children, in a grotesque slaughter chillingly captured by the author. “I wiped away hot tears and sweat from my face with my gloved hand. Men torched wigwams and watched them burn. The mighty river swept people and canoes over the falls, and the white water sparkled in the sun, mocking the horror.” In a cataclysm of retaliation, the River Indians raid Hatfield while the men are working in the fields and kidnap Martha and her daughters. Overwhelmed by fear and grief, and not even sure who is responsible, Ben attempts to organize a search party and retrieve his family before it is too late. Rader paints a stirring picture with the subtlest of brush strokes—this is no simplistic struggle between good and evil. Both sides have earned the right to some grievances, and both commit unspeakable atrocities. Martha, in particular, is an impressively drawn character, deep and complex; she is horrified, even while in captivity, by the terrible things Ben has done to her captors. The conclusion of the book may strike some readers as a bit tidy and even sentimental, but, overall, this is a moving work, dramatically compelling and historically searching.
An engrossing novel that challenges stale narratives of colonial America.Pub Date: May 21, 2024
ISBN: 9798885280778
Page Count: 394
Publisher: Acorn Publishing
Review Posted Online: July 15, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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