Queer and mixed-race people challenge boundaries and defy expectations by virtue of their very existence in a story collection infused with the sticky, swampy heat of Florida.
In many ways, this debut collection functions as an exploration of radical subversiveness—of race and ethnicity, of gender and sexuality, of models of family and community, even of species. Lines blur, categories coalesce, and hybridity reigns supreme. A member of the West Philly punk scene begins to develop reptilian physical features. Queer Jacksonville residents form a close-knit social circle that endures through incestuous romantic entanglements. Besides the recurring appearance of the Jacksonville friends, the most prominent commonality among the stories is the fact that multiple protagonists share a background as the children of Chinese mothers and white fathers. In practice, this means they are constantly on the receiving end of attempts to dissect their racial identity, familiar with the alienating experience of being constantly othered. A bookish teenager vacationing at a Polynesian-themed resort is repeatedly asked if she is a “native” by other tourists before a tragedy befalls her family. A university employee living in an Orwellian society navigates a state-run dating site that exclusively pairs people of color with white people. A young woman taught how to pickle memories disposes of “the white woman at the grocery store who told me I was prettier because I wasn’t ‘full Chinese’” in this manner. Haunting in its treatment of family legacy and cultural inheritance, that story, “One-Thousand-Year-Old Ghosts,” is one of the strongest here. Not all the stories measure up to the standard it sets, with some being much thinner and less polished. Nevertheless, the collection highlights the everyday burden of shouldering bias and misconception, but never at the expense of the individuality and humanity of its characters.
Stories that explore what it means to buck the status quo amid suspicion of—or hostility toward—anything different.