The heroine of Dave’s newest post-feminist chick-lit romance (The Divorce Party, 2008, etc.) must choose between the quiet life offered by her new husband and the fast lane her former lover represents.
Only days after 32-year-old Annie gets dumped by longtime live-in boyfriend Nick, an up-and-coming movie director, she meets Griffin at the chichi L.A. restaurant she frequents—talk about romantic fantasy: Annie’s career as a monthly travel columnist pays well, apparently demands little time or difficult travel and is never seriously endangered—and where he is temporarily the chef. It seems to be love at first sight, although Annie’s best friend Jordan, who also happens to be Nick’s sister, calls Griffin “Rebound Guy.” Three months after they meet, he proposes. They marry in a Vegas chapel on their way across the country to Griffin’s western Massachusetts hometown, where he is about to open his own restaurant—Annie’s job with a New York paper also allows her to live anywhere. But Williamsburg requires a lot of adjusting on Annie’s part. Griffin’s genius brother Jesse and his 5-year-old twins move in with the newlyweds because Jesse’s wife has thrown him out for impregnating the MIT professor guiding his doctorate program. The twin’s art teacher turns out to be Gia, until recently Griffin’s girlfriend of 13 years, whom Griffin’s mother makes clear she’d much prefer as a daughter-in-law. Then Nick shows up from his new base in London to win Annie back; she turns him down, but she feels stirrings. When the new Rupert Murdocklike owner of her paper offers her a job in London, Griffin encourages her to try it out. Soon she’s settled in London in a fantastic apartment, the company is grooming her for a new dream job, the publisher’s dashing son is wooing her and Nick is just a call away. What’s a girl to do? A lightweight romance posing as something realistic and psychologically profound.
Pub Date: May 16, 2011
ISBN: 978-0-670-02267-0
Page Count: 256
Publisher: Viking
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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