THE NIGHT WE LOST HIM

When their father dies on the cliffs of his California estate, estranged half-siblings unite to investigate possible foul play.

As Dave’s seventh novel opens, the reader learns something the characters don’t know: Hotel magnate Liam Noone did not fall by accident. He was pushed—by whom and for what reason are unclear. The police have deemed it an accident and closed the case, but his son, Sam, is not so sure. Though he hasn’t seen his half sister, Nora, in years, he shows up at her workplace in New York to ask her to go with him to California to investigate. This part of the story is told by Nora in the first person. We get a lot of information about Nora—she has recently lost both parents, she’s an authority on neuroarchitecture, she is engaged to a New York chef but has an ex in the wings—but somehow don’t get much of a feel for her as a person as she and Sam race around investigating leads and having defensive, snappy conversations. A second narrative thread begins 50 years in the past and follows the development of a romance between Liam and a woman named Cory, who is not one of his three ex-wives, nor is she a woman named Cece with whom he had a mysterious connection. The novel relies on the tension created by all these missing puzzle pieces to plunge swiftly forward, but there’s nothing really at stake—no strong suspects, no wrongly accused, no contested inheritance; it’s all just digging up the secrets of a dead person so his children can understand him now that it’s too late. Actually, nobody really understands each other in this book, and as the characters suspiciously keep each other at arm’s length, the effect extends to the reader as well. Other potentially interesting topics—neuroarchitecture (designing spaces that support emotional well-being), the high-end hotel business—are similarly set up but not explored.

A promising blueprint for a book that didn’t quite get written.