A solid, suspenseful Wall Street tale.
Debut novelist Hemphill successfully portrays life working at a big bank.
It’s October 2007, months before the subprime lending crisis, and Sophie Landgraf is a fresh-out-of-college Wall Street analyst working on her first big deal. Overtired, overcaffeinated and overworked, Sophie is still adjusting to the dog-eat-dog world of banking. Vainly, and in typical The Devil Wears Prada mode, she attempts to balance work and home life, especially her relationship with Will, the shaggy-haired college boyfriend, who helped her grieve when her mother died in an auto accident. Growing up poor and lacking financial support are Sophie’s motivations for working in the financial sector. But she’s also smart, good with numbers and actually likes her job; it’s with mixed feelings that readers will watch her strive toward success. The other people on Sophie’s account are Vasu, the vice president who never sees his wife and child; Ethan, the sharklike head of their group; and Jake Hutchinson, a mostly wholesome CEO client. None are particularly nuanced, but all are more sympathetic than one might expect, and by telling parts of the story from each of their points of view, Hemphill goes deep into the murky moral waters in which they all swim. Other bleak themes, precisely brought to life, are the excessive dedication that banking expects of its employees, institutional sexism and the impossibility of friendship in business. The deal itself is arguably the real protagonist and the reason readers will eagerly turn pages. Hemphill pulls off the neat trick of making the complex financial transaction clear to lay readers without dumbing down her characters.
A solid, suspenseful Wall Street tale.Pub Date: Nov. 5, 2013
ISBN: 978-0-5441-1457-9
Page Count: 309
Publisher: Amazon/New Harvest
Review Posted Online: Nov. 3, 2013
Kirkus Reviews Issue: Nov. 15, 2013
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
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