GARDEN OF SINS

Victorian London is a breeding ground for mystery, murder, and the macabre.

November 1890. Crime scene photographer and sometime sleuth Sarah Barrett reels from the news that her beloved father, Benjamin Bain, has been arrested for the murder of Ellen Casey after decades as a fugitive. Can she vindicate him by finding the real killer? Over five previous mysteries, most recently Portrait of Peril (2021), Rowland has developed a large cast of interesting regulars, so her plot moves deliberately as she reintroduces them and their backstories. Sarah’s been married to her faithful lover, DS Thomas Barrett of Scotland Yard, for a month. Her father’s plight has brought Sarah closer to her half sister, Sally, though their relationship remains bumpy. Sarah’s closest friend, Lord Hugh Staunton, disowned by his family and ostracized by his friends because of his homosexuality, suffers from depression due to a crippling injury. It takes Sarah; Fitzmorris, Hugh’s loyal valet; and psychologist Dr. Joshua Lewes to restore him. Mick O’Reilly, teenage street urchin–turned-sidekick, is riding the emotional roller coaster of first love with the beautiful Anjali, who works at the Cremorne Gardens, a strange amalgam of theater, circus, and freak show. As the trial proceeds, Sarah and company are brought in to investigate a bizarre and sensitive case, the murder of Pinkerton detective Katherine Oliver. The prime suspect is Queen Victoria’s grandson, the wild child Prince Eddy. Rowland’s portrait of Victorian London is so immersive that new readers will be eager to hang in and get all the narrative threads straight. Series fans will delight at the updates to the lives of her charismatic cast.

A Grand Guignol treat, dazzling and lurid.