A very Victorian murder, the evils of British imperialism and a beloved novelist unite in this appealing literary mystery.
Charlotte Brontë is drawn into a web of political intrigue in the latest novel from Rowland, author of the Sano Ichiro series (The Snow Empress, 2007, etc.).
The cherished isolation of Haworth is disturbed when Charlotte receives an alarming letter regarding her publishing career. She decides the only way to straighten out the mess is to present her real self to her publisher, with sister Anne in tow. Charlotte’s other sister, Emily, furious that their pseudonyms are to be revealed, storms off to stalk the moors. As soon as Charlotte and Anne board the train for London, their adventure begins in the form of Isabel White, a governess of modest means and highly peculiar manner. Miss White seems to be escaping something, and not long after they arrive in London, Charlotte witnesses Miss White’s murder. The killing, far from another example of London’s violence, is instead part of a conspiracy of international proportions. Charlotte must team up with Mr. Slade, a spy for Her Majesty’s Foreign Office, in order to save herself and her family (all have been threatened with death) and capture the villain. After dodging bad men and traveling to the Continent and back, Charlotte discovers the mastermind prepared to topple the British Crown: the seductive Kuan. Seeking to put an end to the British opium trade that has crippled China, Kuan plots treacherous schemes that include the kidnapping of the royal children. Along the way Charlotte falls in love with Mr. Slade; her ruined brother Branwell redeems himself; and the fragile Emily leaves Haworth to do a bit of spying at a school that secretly trains its girls for prostitution. If at times the pursuit of Kuan seems, well, Victorian in its countless plot turns, Rowland offers an attractive counterpoint in her portrayal of the Brontë clan and their family dynamics.
A very Victorian murder, the evils of British imperialism and a beloved novelist unite in this appealing literary mystery.Pub Date: March 1, 2008
ISBN: 978-1-69030-033-9
Page Count: 320
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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