An intelligent, literate, and allusive take that raises many intriguing questions, even if it doesn't always answer them.
Deliberately provocative arguments, by cultural critic Kipnis (Bound and Gagged, 1996, etc.) wittily demonstrates that love might not be such a many-splendored thing.
The tone’s light, even playful, but the thesis is fundamentally serious. In four long chapters, Kipnis (Media Studies/Northwestern Univ.) chronicles all those aspects of love that society values—its promises of stability, transformation, and personal fulfillment—then argues that perhaps love is more complex, more limiting than conventional wisdom has it. In “Love’s Labors,” she criticizes the current belief that love, like weight control, is something individuals have to work at. This attitude, usually favored by therapists, changes what is essentially erotic play into another chore, the author contends: Why, if love is so normal, does it require so much propaganda, from movies to magazines? “Domestic Gulags” riffs on the limitations that commitment and couples impose, everything from circumscribed television watching to food choices. The pain caused by such love-related lapses as infidelity, guilt, and deception is the subject of “The Art of Love,” in which Kipnis notes the “pothole-ridden intimacy systems” that “refuse to acknowledge their own contradictions” and hence encourage damaging self-deceptions and emotional burdens. Drawing on the recent revelations of adultery in high places from the White House to New York City’s mayoral mansion, she observes in “…And The Pursuit of Happiness” that this widespread fooling around suggests we all want more than we have. “Adultery,” Kipnis observes, “whatever its inherent problems . . . is at least a reliable way of proving to ourselves that we’re not quite in the ground quite yet.” All of which leaves love reeling on the ropes, though not quite down and out.
An intelligent, literate, and allusive take that raises many intriguing questions, even if it doesn't always answer them.Pub Date: Aug. 26, 2003
ISBN: 0-375-42189-0
Page Count: 224
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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