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WILD HARE

A wrenching, complex novel that any fantasy fan would do well to pick up.

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Koerber (The Eclipse Dancer, 2018, etc.) offers readers an embittered narrator, a dystopic near future, and an intriguing, nuanced treatment of magic, nature, and justice in this urban-fantasy tale.

Bob Fallon is half-human and “half-forest spirit from the wild hare clan,” and he owns one of the last remaining bits of forested land in northern Wisconsin. It would be easy for him to dismiss humankind entirely—and on some days, that’s exactly what he wants to do. His clan’s mantra of “feed, fuck, fight” has governed a lot of his life, and he can’t help but feel a smoldering rage about the destruction of the forests and other injustices in his surroundings. Koerber’s characterization of Bob is perhaps the book’s strongest element; the protagonist’s jaded, acidic attitude will put readers perfectly into a noirish mindset. At the same time, Bob does a great job of providing context, both for the decaying world he inhabits and for his own limited abilities: “since I’m a fairy, why can’t I fix things?” When Arne, one of his few friends, is jailed for failing to pay speeding tickets, Bob starts raising money for his release, but this is easier said than done, as Bob has spent years avoiding townspeople, doing begrudging odd jobs for them, or outright stealing from them—and the state adds Arne’s room and board to the fine every day. Bob works inside and outside the law as he runs afoul of local militia, a congressman with shady ties, and a host of other fairies, spirits, and tricksters. Overall, the story manages to weave together a complex tapestry of themes, from climate change to poverty to what qualifies as morality in a world that’s facing catastrophe. The prose is clear and concise throughout, giving readers a sense of each scene and character through the protagonist’s eyes.

A wrenching, complex novel that any fantasy fan would do well to pick up.

Pub Date: June 12, 2019

ISBN: 978-1-946044-51-8

Page Count: 184

Publisher: Who Chains You Books

Review Posted Online: Aug. 16, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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