Next book

NEW YORK, NEW YORK!

THE BIG APPLE FROM A TO Z

From the American Museum of Natural History (A) to the Bronx Zoo (Z), an alphabetical exploration of places to visit and famous sites in the Big Apple. The folk-art paintings are bright and colorful but are accompanied by short, uninspired verse and factoids. The most successful letters or places to see are the double spreads. Yankee Stadium (Y) is filled with fans set against a starry night. Unfortunately, the author states that it seats 70,000—untrue since the 1970’s renovation. The Plaza Hotel (P) stands majestic, but oddly for a children’s book does not include Eloise in its list of famous visitors. The Brooklyn Bridge (B), The Metropolitan Museum of Art (M) and Times Square (T) get grand double spreads while the one for Harlem awkwardly conjoins a brownstone to the Apollo Theater and the Union Square Greenmarket (U) is disjointed next to the Washington Square Arch (V for Greenwich Village). While fun for browsing, especially when turning the book on end for the Empire State Building (E), young readers would be better advised to visit Robert Neubecker’s Wow! City! (2004) for some real Big Apple excitement. (Picture book. 3-7)

Pub Date: June 1, 2005

ISBN: 0-06-054874-6

Page Count: 48

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2005

Next book

CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color. (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

Close Quickview