Long on atmosphere, short on answers.
A troubled young woman returns home to Keokuk, Iowa, to reclaim a surprise inheritance and a tortured past in McHugh’s second literary mystery (Weight of Blood, 2015).
Arden Arrowood learns of her paternal grandfather’s legacy just as her life has hit rock bottom. Her family’s historic homestead, Arrowood, her childhood home, had been held in trust for years to keep it away from her feckless father; now he's died, and the house is hers. She leaves Colorado, master’s degree incomplete, with mysterious scars on her arm. Her mother had divorced her father to marry a megachurch pastor and now seems perfectly content wearing outfits from Chico’s and watching QVC. The house has a difficult legacy. In 1994, the Arrowoods’ toddler twin girls went missing from their front yard. Arden, then 8, had briefly left her sisters unattended and thought she saw a yellow sedan speeding off with the towhead twins in the back. Her best friend, Ben, a neighboring child, confirmed her account. A man named Harold Singer was arrested but, due to lack of evidence, was never prosecuted. But Singer’s life was destroyed, and the twins’ bodies were never found. Now, Arden reconnects with her old life, including rekindled feelings for Ben, now a dentist who’s engaged to the former high school prom queen. The kindness of Arrowood’s caretaker, Heaney, who responds to Arden’s frequent calls about leaky plumbing, is tinged with creepiness. Josh Kyle, the founder of a cold-case website called Midwest Mysteries, contacts her. Singer had an unsavory hobby of taking candid photos of young children, and one of these, obtained by Josh, shows the twins, captured in their last moments on Arrowood’s lawn—but Josh thinks the length of the shadows in the pictures might actually prove Singer's innocence. As she ponders possible scenarios, Arden is forced to confront the family dysfunction that predated the crime. Depressed because Arden’s father was having an affair with Ben’s mother, her own mother spent years in a drugged haze. Scenes are dragged out with much description of Keokuk arcana, which distracts from the crime story. The ending is inconclusive in the worst way; in other words, culpability is established—but not addressed.
Long on atmosphere, short on answers.Pub Date: July 5, 2016
ISBN: 978-0-8129-9639-5
Page Count: 288
Publisher: Spiegel & Grau
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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