by Laura McNeal ‧ RELEASE DATE: April 1, 2017
Dust, lust, and human drama rendered with sensitivity, depth, and breadth.
Love is inextricably linked to suffering in McNeal’s (Dark Water, 2010) sweeping historical novel set in the 1930s.
The story begins in Scotland, where 19-year-old Aldine McKenna and her older sister, Eileen, are stuck inside due to 11 days of rain. The sisters live with their Aunt Sedge, who—unmarried and childless—serves as a warning to them not to wait too long to fall in love. When Mormon missionaries ring the doorbell, Aldine is the one who lets them in, but her sister is the one who converts to Mormonism and leaves for America to marry Elder Cooper. Despite its significant length, the novel maintains a swift forward pace and gives equal attention to plot, character, and prose. Having followed Eileen to New York, Aldine soon decides she needs a life of her own so she responds to a newspaper ad for a schoolteacher in Dorland, Kansas, and arrives in the heart of the Dust Bowl, where she will live as a boarder with the Price family on their failing, drought-stricken farm. McNeal's roaming third-person narrator reveals the people of this world in all their desperation, boredom, longing, poverty, and unwavering, often irrational hope. The Prices have mixed reactions to Aldine: Mrs. Price mistrusts her; Charlotte, the savvy eldest daughter, manipulates her; Neva, the lovable youngest daughter, instantly bonds with her; and both men—Mr. Price and his son, Clarence—find her dangerously alluring. While these factors move the situation into some familiar territory, the memorable characters, well-constructed setting, and beautiful prose make the novel shine.
Dust, lust, and human drama rendered with sensitivity, depth, and breadth.Pub Date: April 1, 2017
ISBN: 978-1-4778-1790-2
Page Count: 492
Publisher: Little A
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Elin Hilderbrand ‧ RELEASE DATE: Oct. 8, 2019
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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