Unlike the too-infrequently-seen Louise, the fictional characters seem less alive or important than the issues they...
In Kansas-native Moriarty’s fourth novel (While I’m Falling, 2009, etc.), she imagines the life of the actual Wichita matron who accompanied future silent film star Louise Brooks to New York City in 1922 as a favor to Brooks' parents.
Although Louise Brooks was a larger-than-life personality whose memoir LuLu in Hollywood is held in high critical esteem, she’s given short shrift by Moriarty, whose interest lies in Cora Carlisle. In 1922, 36-year-old Cora faces an empty nest as her twin sons prepare for college. Her lawyer husband, Alan, 12 years her senior, is a wonderful father and a good man, but their marriage is a sexless sham. She has grudgingly accepted and kept secret his (lifelong) homosexual love affair. So Alan is in no position to stop her when she announces that she is escorting Myra Brooks’ 15-year-old daughter to New York City, where the girl has enrolled in dance school. He knows Cora’s real reason for going east. She lived in a Catholic orphanage in Manhattan until she was 7, then was sent to Kansas, where she was raised by a loving farm couple. Now she yearns to learn about her parentage. Louise, precociously sexual as well as beautiful and brainy (Schopenhauer is her favorite author), is a difficult, unlikable charge, but Cora finds time in New York to seek out information. Joseph, the janitor at the orphanage, helps Cora in her research while introducing her to the passion her marriage never offered. With Louise on the road to stardom, Cora returns to Wichita with Joseph, claiming he is her brother—a charade Alan agrees to maintain. Cora seems to represent the history of women’s rights in the 20th century. An early suffragette, she applauds the end of prohibition and champions birth control and racial equality. She also gives Louise good advice during a rocky period in her career.
Unlike the too-infrequently-seen Louise, the fictional characters seem less alive or important than the issues they represent.Pub Date: June 5, 2012
ISBN: 978-1-59448-701-9
Page Count: 384
Publisher: Riverhead
Review Posted Online: May 28, 2012
Kirkus Reviews Issue: June 15, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
