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COMPLICATED GRIEF

Lyrical and tricky: for serious readers.

In a memoir/essay collection, poet Mullen (Director, Creative Writing/Louisiana State Univ.; Enduring Freedom, 2012, etc.) explores emotional secrets and rupture.

The inability to pin down meaning in words reflects the slippery grasp of identity, and Mullen delves into “autobiography” in these brief, truncated sections, which are playful with language but often opaque. The entries evolve from the first sections’ dreamlike collision of the real (a car crash, a failed love affair) with the “completely unutterable” to a later essay called “Trust,” which explores with affecting frankness the author’s molestation at age 9 by her fencing instructor (“if I think of him his name comes back…immediately and easily: gliding up like air-filled buoys from an opaque and then translucent depth, flashing to the surface like markers for a wreck or trap, or floats from a storm-torn net”). In several pieces, Mullen reworks fairy tales by breaking down their narrative facets to create some intriguing new manifestations. In “Read,” she drastically tweaks “Little Red Riding Hood,” and we learn that Grandmother may have been sleeping with both the woodsman and the wolf (“well, we assume on different nights”). Fairy tales, she writes, often “lead us to normalize a situation both strange and potentially catastrophic.” In “Spectrograms (projected autobiography),” Mullen depicts the constant, arbitrary breakdown of projected images against memory and “strategies for containment.” The author’s deliberate structural interventions may be off-putting and arduous for many readers—e.g., in her essay on being “jilted” à la Miss Havisham, which is intended to relay the layers of unfathomable “complicated grief” therein. Yet in “Trust,” Mullen allows the memory of her shame at being violated by a trusted elder to unfold organically, later in life, juxtaposed with an attempt to heal by taking up fencing again, to marvelously poignant effect. Readers will relish such translucent moments in this prickly work.

Lyrical and tricky: for serious readers.

Pub Date: Nov. 1, 2015

ISBN: 978-0-9844142-8-4

Page Count: 120

Publisher: Solid Objects

Review Posted Online: Aug. 16, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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