This rapid-fire reboot of a traditional favorite will be a requested read-aloud for high-energy listeners.
When the class goes on a field trip to the fire station, the Gingerbread Man is carried along in a child’s backpack. He falls, unexpectedly, onto the snout of the firehouse dog, Spot the Dalmatian.
In emergency mode, the well-known cookie streaks athletically through the firehouse, with the hungry pup at his heels. “I’ll run and I’ll dodge, / As fast as I can. / I’m not a dog bone! I’m the / Gingerbread Man!” He runs past his classmates, who are trying on all the firefighting gear. The chase continues with an up-close view of the truck, the crew’s tightly made beds, the five-alarm chili cooking in the kitchen and, of course, the fire pole. When a true alarm blares, the little man jumps onto the fire truck for more adventures. Murray’s vigorous rhythms stay at full speed throughout, keeping up with Lowery’s action-filled illustrations. This duo debuted with The Gingerbread Man Loose in the School (2011), and this sequel doesn’t disappoint. With illustrations done in pencil, screen printing and digital color, the new makeover for the speedy gingerbread man succeeds despite a completely stereotypical fire station. Thankfully, female Fire Chief Anne rewards the little hero and his classmates with helmets from Company Four.
This rapid-fire reboot of a traditional favorite will be a requested read-aloud for high-energy listeners. (Picture book. 4-7)Pub Date: July 1, 2013
ISBN: 978-0-399-25779-7
Page Count: 28
Publisher: Putnam
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
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