by Laura Pedersen ; illustrated by Penny Weber ‧ RELEASE DATE: July 11, 2017
Bright encouragement for young scientists and makers.
A child discovers that she has a special gift for spotting and solving engineering problems.
In her realistic illustrations, Weber emphasizes close-ups of the young inventor’s mobile expressions—and light bulbs going off overhead as she visits in turn each member of her mixed-race family. Light-skinned Wanda has no interest in joining her darker brother’s dance class, but inspiration strikes when she sees how cluttered the dressing room is, and she strings a clothesline that neatly gets all the loose clothing off the floor. Likewise, an aversion to bugs derails a mild wish to be a landscape designer like her mom, a black woman with hair in partial cornrows, but she concocts an effective squirrel barrier for a bird feeder with a disposable aluminum pan. She then joins her white dad in the kitchen and, after failing to separate egg yolks and whites by hand, thinks up a faster way that she later leverages into a science-fair project. Wanda’s technique of using a squeeze bottle to create a partial vacuum is feasible though not described (or very clearly depicted), but for budding experimenters eager to tackle this or other “problems” Pedersen concludes with a summary version of the scientific method.
Bright encouragement for young scientists and makers. (Picture book. 6-8)Pub Date: July 11, 2017
ISBN: 978-1-68275-014-8
Page Count: 36
Publisher: Fulcrum
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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BOOK REVIEW
by Laura Pedersen & illustrated by Penny Weber
by Julian Lennon with Bart Davis ; illustrated by Smiljana Coh ‧ RELEASE DATE: April 11, 2017
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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More In The Series
by Julian Lennon & Bart Davis ; illustrated by Smiljana Coh
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by Julian Lennon & Bart Davis ; illustrated by Smiljana Coh
by Kirsten Hall ; illustrated by Isabelle Arsenault ‧ RELEASE DATE: May 8, 2018
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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More by Kirsten Hall
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by Kirsten Hall ; illustrated by Aki
BOOK REVIEW
by Kirsten Hall ; illustrated by Jenni Desmond
BOOK REVIEW
by Kirsten Hall ; illustrated by Melissa Crowton
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