A dark and unsettling novel for lovers of Rebecca and Jane Eyre.
In Purcell’s third creepily atmospheric historical novel, a young woman flees London under a dark cloud only to discover new threats in superstition-haunted early Victorian Cornwall.
After serving as Lady Rose Windrop’s maid in elegant Hanover Square, Esther Stevens, having assumed the name of Hester Why, is unprepared for the stark contrast of her new position as a nurse and personal maid to the silent and partially paralyzed Louise Pinecroft, mistress of the cliffside Morvoren House. In the remote, eerie mansion she finds a strange household enacting bizarre local customs. Salt lines the doorway of Rosewyn Pinecroft’s bedroom. Wearing her dress inside out, Rosewyn, Louise’s childlike adult ward, gives the startled Hester a ball of bible pages “for protection.”Creeda, Rosewyn's caretaker and the longest serving member of the staff, warns Hester against being “pixy-led.” Alternating with Hester’s increasingly unreliable first-person narrative (aided by gin and stolen laudanum) are two other storylines. One reveals Hester’s hidden guilt at the events that drove her from London. The other goes back 40 years to when a young Louise assists her grief-stricken physician father as he embarks on a radical experiment using prisoners to find a cure for the tuberculosis that killed the rest of their family. Purcell excels at creating a spooky Gothic ambience, and the wild Cornish coast with its ancient folklore makes a wonderfully evocative backdrop. She also does a good job at establishing psychological ambiguity in her characters so they (and readers) aren’t sure if what they see is real or if they are going mad.
A dark and unsettling novel for lovers of Rebecca and Jane Eyre.Pub Date: June 9, 2020
ISBN: 978-0-14-313553-1
Page Count: 336
Publisher: Penguin
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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