by Laura Purdie Salas ; illustrated by Carlos Vélez Aguilera ‧ RELEASE DATE: March 1, 2022
An upbeat, empowering celebration of human diversity.
Jauntily rhyming text coupled with colorful, detailed digital illustrations outline the numerous types of people that inhabit the world.
Quiet and loud people “both deserve our applause.” It doesn't really matter if someone is tall or short because “we're only each as high / as a small grain of sand / next to mountains or sky.” Also noted and affirmed are differing personalities, body types, interests, persuasions, and emotions. A nature analogy is creatively used to explore skin color: “We all wear our skin just like trees wear their bark, in infinite shades between light and dark.” Some people may be the color of "Oak," "Mahogany," or "Chestnut," and so on. Regarding gender diversity, the text proclaims: “There are boys. There are girls. / And even more choices. / Let’s build a world where there is room for all voices.” The overarching message that all are equal and belong on this beautiful planet Earth is enhanced by the final observation that when we learn from each other, we grow. Aguilera’s vibrant colored pencil and digital media illustrations depict a variety of racially diverse children making music, flying kites, playing together, and more in various parts of their city, the residents of which include women and girls wearing hijabs, a Jewish man sporting a yarmulke, people using wheelchairs, people with disabilities, and a girl with cancer (not discussed in the text but cued in the artwork).
An upbeat, empowering celebration of human diversity. (Picture book. 4-8)Pub Date: March 1, 2022
ISBN: 978-1-5415-9913-0
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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