Readers of all ages will easily identify with Ruthie’s trying day.
A child’s big plans for a perfect Saturday are altered by a combination of unforeseeable occurrences.
Like Judith Viorst’s Alexander, Ruthie is not having a good day. Gramma’s flooded basement cancels blueberry pancakes with the family in the morning and flower planting with Papa in the afternoon. When Momma reminds Ruthie about her cousin Buster’s birthday party, Ruthie does not want to go, saying he is mean. She relents, only to have her favorite dress ruined when the washing machine breaks down. Then traffic on the way home from shopping for a present forces her to miss her favorite cartoon, and then she drops the eggs preparing to bake cookies. Exasperated, Ruthie storms out, declaring it to be “the Worst Kind of Day EVER!” The disheartened Ruthie and her mom decide to make wishes on their dandelions—which appear to come true when a very flat tire finally keeps the family home to bake and allows Ruthie to restart her “Best Kind of Day.” Ruined plans are hard for little ones to take, and Rankin creates a believable scenario in which everything going wrong can somehow work out all right. Endearing illustrations of an anthropomorphized fox family depict both the chaos and pathos that are inevitable with this kind of day.
Readers of all ages will easily identify with Ruthie’s trying day. (Picture book. 3-5)Pub Date: May 20, 2014
ISBN: 978-1-59990-052-0
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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