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RUTHIE AND THE (NOT SO) VERY BUSY DAY

Readers of all ages will easily identify with Ruthie’s trying day.

A child’s big plans for a perfect Saturday are altered by a combination of unforeseeable occurrences.

Like Judith Viorst’s Alexander, Ruthie is not having a good day. Gramma’s flooded basement cancels blueberry pancakes with the family in the morning and flower planting with Papa in the afternoon. When Momma reminds Ruthie about her cousin Buster’s birthday party, Ruthie does not want to go, saying he is mean. She relents, only to have her favorite dress ruined when the washing machine breaks down. Then traffic on the way home from shopping for a present forces her to miss her favorite cartoon, and then she drops the eggs preparing to bake cookies. Exasperated, Ruthie storms out, declaring it to be “the Worst Kind of Day EVER!” The disheartened Ruthie and her mom decide to make wishes on their dandelions—which appear to come true when a very flat tire finally keeps the family home to bake and allows Ruthie to restart her “Best Kind of Day.” Ruined plans are hard for little ones to take, and Rankin creates a believable scenario in which everything going wrong can somehow work out all right. Endearing illustrations of an anthropomorphized fox family depict both the chaos and pathos that are inevitable with this kind of day.

Readers of all ages will easily identify with Ruthie’s trying day. (Picture book. 3-5)

Pub Date: May 20, 2014

ISBN: 978-1-59990-052-0

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 2, 2014

Kirkus Reviews Issue: March 15, 2014

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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