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THE CLOCKWORK GHOST

From the York series , Vol. 2

Woke magical mystery for preteens? Bring on Volume 3, STAT.

Following opener The Shadow Cipher (2017), Ruby’s York trilogy continues.

Ruby returns to her fascinatingly similar-but-different New York City (the Liberty Statue and the Underway replace the Statue of Liberty and the subway; machines such as an animate suit of armor that makes pancakes are not out of the ordinary—but gentrification and the PATH line remain the same). Picking up shortly after the destruction of their building by developer Darnell Slant, Jewish twins Tess and Theo Biederman and their best friend, Trinidadian-Cuban Jaime Cruz, are still on the trail of the treasure promised by the Morningstarr Cipher. This time around the mystery is more complex, and some of the madcap fun has been replaced by a sense of deeper malice; “fixer” Duke Goodson and his “ladies” (all white, as all the villains here seem to be) are crafty foes who even manage to kidnap Tess’ preternaturally intelligent service animal. Meanwhile the “brown-skinned” female superhero from Jaime’s sketchbooks seems to have come to life, and the revelations she drops about the mysterious Morningstarr twins, who transformed the city after arriving there in 1798, move the series from mostly mystery to possibly science fiction but maybe fantasy, in the best way possible, all supported by overt discussion of inclusion, diversity, and social justice.

Woke magical mystery for preteens? Bring on Volume 3, STAT. (Mystery/fantasy. 10-15)

Pub Date: May 14, 2019

ISBN: 978-0-06-230696-8

Page Count: 464

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 19, 2012

Kirkus Reviews Issue: July 15, 2012

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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