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MY LOVE FOR YOU IS LIKE A GARDEN

Endearing, engaging text pairs well with gorgeously executed illustrations for a joyful read.

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Smetana’s picture book compares feelings of love to different elements of a garden.

Opening with its title, this work uses simple nonrhyming sentences to describe love, using various metaphors that encourage youngsters to engage all their senses. Love is said to be as “tender as a blade of grass,” “sweet as a flowering lilac,” “cheerful as the robin’s song,” and so on. The lines are brief but powerful and sweet, concluding with an image of two hands with different brown skin tones on either side of a bouquet, incorporating all the flowers featured in the book. However, Smetana’s illustrations are truly the stars of this work. At first glance, they appear to be vibrant watercolors on paper, but closer inspection reveals each image to be a carefully trimmed and assembled collage featuring butterflies, flowers, trees, and other elements. The cut paper is arranged in ingenious ways to suggest, for example, the opened petals of a rose or furrowed soil with marigolds growing in it. The book ends with a glossary, naming various plants and animals in the book and encouraging young readers to go back and look for them all—something that they’ll surely delight in doing again and again.

Endearing, engaging text pairs well with gorgeously executed illustrations for a joyful read.

Pub Date: March 1, 2023

ISBN: 9781737140962

Page Count: 38

Publisher: Flying Cardinal Press

Review Posted Online: Jan. 4, 2023

Kirkus Reviews Issue: March 1, 2023

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color.

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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color. (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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