A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence...
A haunted, haunting examination of mental illness and murder in a more or less ordinary American city.
The small ghosts of debut author Tillman’s title are those of three young children, innocent of any wrongdoing, who were killed in March 2003 by a drugged, arguably insane young man, the father of one of the victims, and his common-law wife. And not just killed: apparently convinced that the children were possessed, John Allen Rubio stabbed them repeatedly and decapitated them. Not for nothing is one of the chapters titled “Don’t Read This Chapter Before Going to Bed”: the facts of the case are horrific. A journalist working in Brownsville, Texas, when the case occurred, Tillman writes of her initial reluctance to engage the story. “I had never been drawn to tragic crimes,” she writes. “Like many people, I pushed them out of mind when I could. It was easier to box them up and store them on a mental shelf of humanity’s worst moments.” Moreover, the media plays these tragic crimes for a time and then shelves them, moving on to the next atrocity. But what of the actors in the crime? Tillman looks deeply into the life and mind of Rubio, with whom she corresponded as he idled on death row, alternately convinced that he was the hero of the piece and aware of his guilt. The author raises or intimates difficult questions as she hears out Rubio, whose insanity defense was unsuccessful: what is it about our kind that makes us do such awful things? How does a community where an awful crime has been committed work toward healing after the cameras have been packed up and the reporters’ notepads put away? How much compassion does a mentally ill person who has murdered deserve? Tillman’s narrative, mature and thoughtful, eventually forces readers to examine the justice of the death penalty itself.
A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy.Pub Date: April 5, 2016
ISBN: 978-1-5011-0425-1
Page Count: 256
Publisher: Scribner
Review Posted Online: Jan. 25, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
PROFILES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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