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I USED TO BE AFRAID

The ingredients may be standard, but the recipe yields a fresh, new dish that’s outstanding in almost every way.

Standard Seeger ingredients of careful die-cuts, lush painting, and child-centered text combine in her latest picture book.

A striking cover shows a wide-eyed girl, her mouth agape, looking to the right and seeming to dread the book's opening. The title page doesn’t reveal what's scared her, increasing readers’ anticipation as the girl cowers behind a chair. Subsequent pages relate that she “used to be afraid of” spiders, shadows, and the dark; each fear is then followed by a double-page spread that resolves it with the line “but not anymore” and a picture that uses integral die-cuts to renegotiate the once-scary thing. For example, the scary spider is not-so-scary when the girl gazes in wonder at its web. Other, more abstract fears—of making a mistake, change, and being alone—are then articulated, deepening the emotional resonance of the character's experiences. Concluding spreads show her running from her big brother, who wears a scary mask. In a clever and honest twist, this fear isn't so easily resolved. "I used to be afraid of my big BROTHER / and I STILL AM!" she declares. Seeger saves the best for last, though, with the last page slyly adding "Sometimes" as the girl tries on the mask behind her unsuspecting brother, and then closing endpapers deliver a pleasing coda of sibling play.

The ingredients may be standard, but the recipe yields a fresh, new dish that’s outstanding in almost every way. (Picture book. 3-6)

Pub Date: Sept. 29, 2015

ISBN: 978-1-59643-631-2

Page Count: 40

Publisher: Neal Porter/Roaring Brook

Review Posted Online: July 31, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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