Lush illustrations, sensitive interconnections, and subtle visual clues unite all three outstanding volumes.
This companion to Caldecott Honor book Green(2012) and its sequel, Blue(2018), explores the color red as symbol of our conflicted responses to nature.
A fox family travels; one young member falls behind. This fox—“lost red”—sleeps alone, then wanders. A blue pickup, an ominously large box in its bed, stops at a railroad crossing, headlights spotlighting the fox. A red-haired White girl plays in a fenced yard as the fox peers in. As in previous volumes, two-word, occasionally rhyming phrases and small die cuts characterize this work. The die cuts operate less interactively here than in the earlier titles, often simply picking out a shape or bits of color in previous or succeeding spreads. A notable exception is “rust red”: die cuts delineate three ominous nails poking from a board. A page turn reimagines those die cuts as seed heads, but text—“blood red”—and the fox’s cut paw will evoke readers’ empathetic pangs. Gorgeous, autumnal red-golds visually narrate the fox’s unwitting incursions into a rural landscape studded with human-made barriers: a chain-link fence bordering a laden apple tree; a looming “brick red” wall; most menacingly, “trick red,” a cage trap with red meat as bait inside. The girl, witnessing its entrapment, frees the fox, which relocates its clan. Seeger’s note acknowledges the development of Redas a narrative for the girl depicted at the end of Green.
Lush illustrations, sensitive interconnections, and subtle visual clues unite all three outstanding volumes. (Picture book. 3-7)Pub Date: Oct. 5, 2021
ISBN: 978-0-8234-4712-1
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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