by Laura Whipple & illustrated by Laura Beingessner ‧ RELEASE DATE: June 1, 2002
A deeply satisfying version of the Cinderella tale, in the story-in-verse form that has become so popular in the past few years. The voices and point-of-view change, as do the verse structures, but the traditional story propels itself in slightly darker and more nuanced complexity throughout. It opens with an elderly Ella, and then the ghost of her father, who married again too soon after the death of his wife. The spiteful and bitter voice of the stepmother clangs harshly; the sweet and daffy one of the godmother is heard making a list for the ball. The king wants to cease ruling and study his butterflies; the prince is lonely and morose. It’s the cat—in feline, mysterious wordplay—who is the link between Ella and the godmother; there’s a funny poem about how the rat feels in coachman form; and a curiously touching one in the Queen’s voice, wondering how to welcome Ella, and what to do about the stepsisters. Beingessner’s fluid images, from full pages to tiny vignettes, capture in their agitated line and fine color the intensity of the text. The questions everyone asks—did they live happily ever after? What about the magic?—remain unanswered: “Once upon your own time, / you will sing your own tale. / You will have your own / ticking clocks and / chiming bells and / enchantments, you know. / Gather your life / and go.” (Folktale/poetry. 10+)
Pub Date: June 1, 2002
ISBN: 0-689-84070-5
Page Count: 80
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2002
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edited by Laura Whipple & illustrated by Eric Carle
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by Eric Carle edited by Laura Whipple
by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck
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by Richard Peck ; illustrated by Kelly Murphy
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by Richard Peck illustrated by Kelly Murphy
by Andrew Clements ‧ RELEASE DATE: Sept. 1, 2002
Playing on his customary theme that children have more on the ball than adults give them credit for, Clements (Big Al and Shrimpy, p. 951, etc.) pairs a smart, unhappy, rich kid and a small-town teacher too quick to judge on appearances. Knowing that he’ll only be finishing up the term at the local public school near his new country home before hieing off to an exclusive academy, Mark makes no special effort to fit in, just sitting in class and staring moodily out the window. This rubs veteran science teacher Bill Maxwell the wrong way, big time, so that even after Mark realizes that he’s being a snot and tries to make amends, all he gets from Mr. Maxwell is the cold shoulder. Matters come to a head during a long-anticipated class camping trip; after Maxwell catches Mark with a forbidden knife (a camp mate’s, as it turns out) and lowers the boom, Mark storms off into the woods. Unaware that Mark is a well-prepared, enthusiastic (if inexperienced) hiker, Maxwell follows carelessly, sure that the “slacker” will be waiting for rescue around the next bend—and breaks his ankle running down a slope. Reconciliation ensues once he hobbles painfully into Mark’s neatly organized camp, and the two make their way back together. This might have some appeal to fans of Gary Paulsen’s or Will Hobbs’s more catastrophic survival tales, but because Clements pauses to explain—at length—everyone’s history, motives, feelings, and mindset, it reads more like a scenario (albeit an empowering one, at least for children) than a story. Worthy—but just as Maxwell underestimates his new student, so too does Clement underestimate his readers’ ability to figure out for themselves what’s going on in each character’s life and head. (Fiction. 10-12)
Pub Date: Sept. 1, 2002
ISBN: 0-689-82596-X
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Andrew Clements ; illustrated by Brian Selznick
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