Gusty and effective thriller with enough gothic touches to rise above a facile “victims’ rights” message.
Traumatized teen fights for her emotional and physical well-being when her child-molester father is released early from prison.
A social pariah in her small post–Megan’s Law New Jersey town (where even the pizza man won’t deliver to her condo), 15-year-old Meredith had expected nine peaceful years after her father was convicted of abusing her and several other children. So when he is freed for “good behavior” after only three, she is shaken to the core, feeling trapped. She initially tries to avoid him, in spite of her clueless mother’s determination that they reconcile as a family, but it becomes clear almost immediately that he has not changed, and is still obsessed with her. She seeks help in her neighbor Andy, a disabled young man confined to a wheelchair. Like her, Andy’s suffered an abusive past, but chooses to drown his pain in alcohol and prayer. Prompted by his evangelical mother, he plans a trip to see a faith healer just when Meredith needs him most. She also has an ally in her incredulous grandmother, who takes steps to gain custody of the girl—before it’s too late. But stunned by the news that her parents are trying for another baby, Meredith decides on her own to take extreme action to ensure that no other child has to experience the horror that she went through. Wiess has created a spunky heroine—tough, darkly humorous, yet achingly vulnerable. Considering herself “damaged goods,” Meredith still refuses to be a victim, and her ultimate transformation into a kind of avenging angel makes for a nail-biter of an ending.
Gusty and effective thriller with enough gothic touches to rise above a facile “victims’ rights” message.Pub Date: Jan. 2, 2007
ISBN: 1-4165-2183-6
Page Count: 224
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
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