Gusty and effective thriller with enough gothic touches to rise above a facile “victims’ rights” message.
Traumatized teen fights for her emotional and physical well-being when her child-molester father is released early from prison.
A social pariah in her small post–Megan’s Law New Jersey town (where even the pizza man won’t deliver to her condo), 15-year-old Meredith had expected nine peaceful years after her father was convicted of abusing her and several other children. So when he is freed for “good behavior” after only three, she is shaken to the core, feeling trapped. She initially tries to avoid him, in spite of her clueless mother’s determination that they reconcile as a family, but it becomes clear almost immediately that he has not changed, and is still obsessed with her. She seeks help in her neighbor Andy, a disabled young man confined to a wheelchair. Like her, Andy’s suffered an abusive past, but chooses to drown his pain in alcohol and prayer. Prompted by his evangelical mother, he plans a trip to see a faith healer just when Meredith needs him most. She also has an ally in her incredulous grandmother, who takes steps to gain custody of the girl—before it’s too late. But stunned by the news that her parents are trying for another baby, Meredith decides on her own to take extreme action to ensure that no other child has to experience the horror that she went through. Wiess has created a spunky heroine—tough, darkly humorous, yet achingly vulnerable. Considering herself “damaged goods,” Meredith still refuses to be a victim, and her ultimate transformation into a kind of avenging angel makes for a nail-biter of an ending.
Gusty and effective thriller with enough gothic touches to rise above a facile “victims’ rights” message.Pub Date: Jan. 2, 2007
ISBN: 1-4165-2183-6
Page Count: 224
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
A celebratory song of the sea.
A shrimpy 13-year-old with a super-sized passion for marine life comes of age during a summer of discovery on the tidal flats of Puget Sound.
Miles O’Malley—Squid Boy to his friends—doesn’t mind being short. It’s other things that keep him awake at night, like his parents’ talk of divorce and his increasingly lustful thoughts about the girl next door. Mostly, though, it’s the ocean’s siren call that steals his sleep. During one of his moonlit kayak excursions, Miles comes across the rarest sighting ever documented in the northern Pacific: the last gasp of a Giant Squid. Scientists are stunned. The media descend. As Miles continues to stumble across other oddball findings, including two invasive species that threaten the eco-balance of Puget Sound, a nearby new-age cult’s interest in Miles prompts a headline in USA Today: Kid Messiah? Soon tourists are flocking to the tidal flats, crushing crustaceans underfoot and painting their bodies with black mud. Dodging disingenuous journalists, deluded disciples and the death-throes of his parents’ marriage, Miles tries to recapture some semblance of normality. He reads up on the G-spot and the Kama Sutra to keep pace with his pals’ bull sessions about sex (hilariously contributing “advanced” details that gross the other boys out). But Miles’s aquatic observations cannot be undone, and as summer draws to a close, inhabitants of Puget Sound prepare for a national blitzkrieg of media and scientific attention and the highest tide in 40 years, all of which threatens everything Miles holds dear. On land, the rickety plot could have used some shoring up. Miles is just too resourceful for the reader to believe his happiness—or that of those he loves—is ever at stake. But when Miles is on the water, Lynch’s first novel becomes a stunning light show, both literal, during phosphorescent plankton blooms, and metaphorical, in the poetic fireworks Lynch’s prose sets off as he describes his clearly beloved Puget Sound.
A celebratory song of the sea.Pub Date: Sept. 8, 2005
ISBN: 1-58234-605-4
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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