by Laurel Anne Hill ‧ RELEASE DATE: Jan. 12, 2017
A coming-of-age story that thoughtfully blends mysticism and adventure.
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In this dystopian YA novel set in an alternate, steampunk-y version of California, a teenage girl gets mystical visions of tasks that she must perform to save her people.
In 1894, the village of Promise in North California has long helped passengers from a nearby train line that carries the unwanted—lepers, refugees, the elderly, abandoned children—to a workhouse/asylum in British South California. Juanita Elise Jame-Navarro was rescued from the train and brought to Promise as a baby; now 15, she’s become a “mystic traveler” for her tribe. From the Shadow World, she gets a mission to sabotage the workhouse train because a new superintendent plans to cut expenses by killing the asylum’s “expendables.” Juanita has spirit guides to help, such as her ancestor Billy, a locomotive engineer who addresses her as “Little Engine Woman.” After the sabotage, her plan is to escape southward to Mexico, which brings its own dangers—especially from the cruel and powerful Mendoza family. But the planned explosion goes wrong, killing some Promise folk—likely including Juanita’s beloved, Galen—and leaving herself injured. Pilgrims rescue her and take her to their village; feeling betrayed by the Shadow World and heartbroken over Galen, Juanita bides her time. Two years later, Billy again insists on a perilous sabotage mission, this time involving the unscrupulous Antonio Mendoza. Billy believes that the Mendozas can be outsmarted and perhaps even motivated to shut down or clean up the asylum. Juanita’s new quest is to steal a train, blast the tunnels, look for Galen, and recover Carla, an asylum-bound baby. During her mission, she’ll learn startling truths about her family history and discover new strengths. Many sci-fi and fantasy novels are organized around a quest. Although Juanita does indeed solve problems and cover some ground, these are secondary to her maturing understanding of herself, history, the Shadow World, and relationships in both the spirit and human realms. Like Ursula K. Le Guin, Hill (Heroes Arise, 2008) pays attention to the anthropology of her invented culture in ways that enrich the story greatly, often in details that subtly underscore how the society both resembles and differs from our own. For example, Juanita worries about being too plump, but she also likes the soft black hair on her legs because she sees it as feminine. The steampunk influence is also subtle; some characters wear top hats with goggles, and there’s a clockwork man and a mystical tin airship. Steam trains are also important, of course, and Hill has researched their operations well. But this is a book about people, not inventions, and its emphasis is on its characters’ choices and their consequences, as when Juanita wonders, “Who would I be by the time I stopped the asylum train, found Galen and rescued Carla?” However, philosophical musings don’t take the book over, either. Tough, painful, and real things happen to Juanita, making her determination to carry through her mission all the more heroic.
A coming-of-age story that thoughtfully blends mysticism and adventure.Pub Date: Jan. 12, 2017
ISBN: 978-1-937818-80-7
Page Count: 350
Publisher: Sand Hill Review Press
Review Posted Online: July 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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