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Waterwight

From the The Waterwight Series series , Vol. 1

Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series.

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In this YA adventure, a girl orphaned by global cataclysm searches for a new home, encountering talking animals and discovering she possesses special powers.

It’s been three or four years since The Event, a huge natural disaster with unnatural consequences that no one wants to talk about, including the adults at the orphanage where Celeste Araia Nolan, about 14, now lives. After a strange dream, Celeste decides to run away; in her journey, she meets helpful talking cats and dogs and the dangerous Shifter, an evil being who can take different forms. She also discovers an amazing ability: she can defy gravity, first with leaps and bounds, then by actually flying. From a stony-visaged mountain she calls Old Man Massive, Celeste learns she “must find the key to stopping the advance of the big water” lying southward. This is no normal ocean; it’s pink, gelatinous, reeking, destructive, and still spreading. Celeste flies across, getting a boost from Orville, a talking, winged, French-speaking frog who spoke to her in dreams. On the other side lies a village of children, survivors who have also developed strange powers, controlled by a mysterious Overleader, who punishes rule breakers. As Celeste works to find the key and save her new friends, she will face dangerous tests of her courage and resolve. McHargue (“Miss?”, 2013) taps into dreamscapes with their myth/dream logic very effectively in this entertaining novel. The section where Celeste gets trapped in a seductive fantasy castle—her parents alive, only her favorite foods on the table, every room full of toys and games—is powerfully spooky, reminiscent of Neil Gaiman’s Coraline. Post-apocalyptic YA fiction can be unrelentingly grim, but McHargue brings wit and warmth to this account as well as psychological insights, particularly in developing the Overleader’s character. There’s perhaps too much back and forth from the village to the mountain (Celeste begins to seem like a commuter flight), but the novel’s charms overcome this defect. Readers should want to know what happens next in the Waterwight world.

Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series. 

Pub Date: Feb. 29, 2016

ISBN: 978-0-9969711-0-2

Page Count: 346

Publisher: Alpha Peak

Review Posted Online: May 16, 2016

Kirkus Reviews Issue: July 1, 2016

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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