Imaginative characters that powerfully tap into myth.
With a world in flux, a teenage girl looks for answers from quarreling deities in this YA fantasy sequel.
Book I of the Waterwight series takes place a few years after The Event, a cataclysmic natural disaster that left strange effects in its wake, such as people and animals changing forms. Celeste Araia Nolan, about 14, discovers that she can fly; with help from often dreamlike figures (like Orville, a talking, winged Francophone frog), she saves a village of children. In Book II, moments after healing a toxic ocean, Celeste finds herself transformed into a dove. Two black ravens escort her into the clouds and to the old and tired god Odin, who wants her help to investigate what’s happening below and report back. Meanwhile, stragglers—some human, some distinctly odd—join the villagers, whose transformations and special powers are fluctuating. They face a new danger, according to Noor, a giant dragonfly, thanks to a dispute between Odin and his brother Kumugwe, the sea god. Events converge underwater when Celeste visits Kumugwe after escaping from Odin. She hopes to find her real parents. So do two sisters with a complicated history (one was rescued and raised by Kumugwe) who go in search of their scientist parents and their undersea lab. A great wrong must be righted in this hunt for the truth. McHargue (Hunt for Red Meat, 2017, etc.) again effectively offers images from dreamscape and myth in this intriguing follow-up novel. Though there are some standard YA tropes—post-apocalypse; teenage girl with special powers—the author goes beyond the expected with her original, striking characters. Merts, for example, has three heads atop a two-armed body; speaks only in haiku; and moves through the trees via hair braided into a long, prehensile whip. The plot is fast-moving, with action, danger, emotion, and moral choices; beneath all of this is a subtle environmental message embodied in the two scientists’ meddling with nature. Given her complicated narratives, McHargue could have helped readers with a prefatory summary of Book I, although she does provide backstory in the exposition.
Imaginative characters that powerfully tap into myth.Pub Date: Jan. 11, 2018
ISBN: 978-0-9969711-2-6
Page Count: 277
Publisher: Strack Press LLC
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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