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CERULEAN SINS

Sexy as a blue vein.

Hamilton abandons her Los Angeles Faerie Princess/private detective Meredith Gentry to return to her long-running St. Louis heroine, Anita Blake, who hunts rogue vampires, sleeps with a werewolf lover, and at times reanimates zombies (as last seen in Narcissus in Chains, 2001).

A licensed vampire executioner, Anita herself bears the mark of the wolf and has left a love union with ravishingly beautiful vampire Jean-Claude, her Master, and Micah, shape-shifting King of the St. Louis Leopard pack. As it happens, Anita’s union with these two lovers has had a synergistic effect in deepening her own powers and insight into the supernatural. She’s also mixed up with her ex-fiancé Richard, an Alpha werewolf, although the two have been apart for a month. All this is set slightly in the future, and Anita is a consultant both for the city and for federal agents bent on investigating preternatural crime. In an ironic scene, we watch her reanimate a corpse to determine whether its previous inhabitant died of a self-inflicted gunshot, a question that bears legally on his will and insurance. When Anita is visited by master vampire Asher, she finds she’s up against the European Council of Vampires, which has sent knockout gorgeous but dangerous Musette to check on Jean-Claude. Musette represents Belle Morte, the 600-year-old fountainhead of modern bloodsuckers, to whom Jean-Claude bears allegiance. Does Belle Morte want to move in on St. Louis? Asher warns that killing Musette—or, heaven forbid, Belle Morte—is simply not done. Anita is never logical about her love life, especially her ties with Richard, who dumped her because he longs to be human and she’s much too bloodthirsty and comfortable with monsters. The feds call Anita in when something un-human perpetrates a series of murders. As with the SM joint Narcissus, the new deaths turn on a fun center, Cerulean Sins, an erotic video store for vampires that leads us to father-abused child vampires Valentina and Bartolomé.

Sexy as a blue vein.

Pub Date: April 1, 2003

ISBN: 0-425-18836-1

Page Count: 416

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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