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CERULEAN SINS

Sexy as a blue vein.

Hamilton abandons her Los Angeles Faerie Princess/private detective Meredith Gentry to return to her long-running St. Louis heroine, Anita Blake, who hunts rogue vampires, sleeps with a werewolf lover, and at times reanimates zombies (as last seen in Narcissus in Chains, 2001).

A licensed vampire executioner, Anita herself bears the mark of the wolf and has left a love union with ravishingly beautiful vampire Jean-Claude, her Master, and Micah, shape-shifting King of the St. Louis Leopard pack. As it happens, Anita’s union with these two lovers has had a synergistic effect in deepening her own powers and insight into the supernatural. She’s also mixed up with her ex-fiancé Richard, an Alpha werewolf, although the two have been apart for a month. All this is set slightly in the future, and Anita is a consultant both for the city and for federal agents bent on investigating preternatural crime. In an ironic scene, we watch her reanimate a corpse to determine whether its previous inhabitant died of a self-inflicted gunshot, a question that bears legally on his will and insurance. When Anita is visited by master vampire Asher, she finds she’s up against the European Council of Vampires, which has sent knockout gorgeous but dangerous Musette to check on Jean-Claude. Musette represents Belle Morte, the 600-year-old fountainhead of modern bloodsuckers, to whom Jean-Claude bears allegiance. Does Belle Morte want to move in on St. Louis? Asher warns that killing Musette—or, heaven forbid, Belle Morte—is simply not done. Anita is never logical about her love life, especially her ties with Richard, who dumped her because he longs to be human and she’s much too bloodthirsty and comfortable with monsters. The feds call Anita in when something un-human perpetrates a series of murders. As with the SM joint Narcissus, the new deaths turn on a fun center, Cerulean Sins, an erotic video store for vampires that leads us to father-abused child vampires Valentina and Bartolomé.

Sexy as a blue vein.

Pub Date: April 1, 2003

ISBN: 0-425-18836-1

Page Count: 416

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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