In this fatal hour, tough, sarcastic Anita, no longer human, torn between her inner vamp and wolf, makes a final mating...
Tenth in the werewolf-loving, rogue-vampire–slaying, zombie-reanimating romances set in St. Louis.
Necromancer Anita Blake’s heart still wobbles between her alpha werewolf lover and ex-fiancé Richard, leader of the St. Louis pack, and Jean-Claude, her Master vampire lover, who is, of course, dead. Anita gets no kick from humans, but which monster is her great love? A woman of variable morality, she’s already betrayed Jean-Claude to sleep to the heights with Richard and up the ante in her gamble with Venus (Blue Moon, 1998), a problem that was put on hold during her trip to Tennessee to save Richard from a rape charge (Obsidian Butterfly, 2000). Anita herself bears the mark of the wolf and has been lupa of the pack, admired by all the males, though she does not wax furry in the full moon. Of her lovers Anita maintains, “They both had my libido, but I was trying to decide who had my heart.” Having killed the dominant wereleopard, Anita stands in as Nimir-Ra, or protector, of the wereleopards until a new dominant arises. Meanwhile, wereleopard Nathaniel disappears at Narcissus in Chains, a D&S bondage club. Jean-Claude agrees to help, but only if Anita quits killing so many people. Anita’s aura, her marks, desperately need filling in, but if shape-shifting Richard and heartrendingly beautiful Jean-Claude both marry marks with her, all will share their auras and magic, and the union will lead her into unplumbed depths of herself. As the tri-marriage kisses blossom, Anita’s soul-searing life in magic and love intensify in mind-bending complexity, with her energies feeding on each other. Then a group of rogue shape-shifting hyenas and half-men arises, led by hooded Chimera, whose repertory includes snake-shifting.
In this fatal hour, tough, sarcastic Anita, no longer human, torn between her inner vamp and wolf, makes a final mating choice no fan will expect to last. Better pounce.Pub Date: Oct. 9, 2001
ISBN: 0-425-18168-5
Page Count: 432
Publisher: Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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