by Lauren Barnholdt & illustrated by Suzanne Beaky ‧ RELEASE DATE: Nov. 1, 2010
The cantankerous Mr. Frisk doesn't stand a chance against precocious Hailey Twitch and her impish fairy Maybelle. Both aspire to befriend their elderly neighbor for personal gain; Hailey's efforts intensify as she enlists the seasoned actor as director in their school play. While the child’s wacky attempts at friendship prove disastrous—Mr. Frisk does not appreciate his morning breakfast doused in syrup and left soaking in raw egg—her off-base efforts to apologize prove more appalling still. The dynamic between the lively youngster and her strong-willed sprite takes center stage, and Beaky’s drawings make the most of the situational humor. Hailey’s child-centered perceptions remain spot-on, combining laugh-out-loud moments with gentle insight. “But I know deep down in my heart that it is not true. Cereal is the easy way out.” This winning series depicts one youngster's balancing act between her sweet and spunky sides and provides a welcome resource for kids waiting for the next Clementine or Moxy Maxwell. (Fantasy. 6-9)
Pub Date: Nov. 1, 2010
ISBN: 978-1-4022-2445-4
Page Count: 176
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by Lauren Barnholdt & illustrated by Suzanne Beaky
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by Dr. Seuss ; illustrated by Dr. Seuss ; introduction by Charles D. Cohen ‧ RELEASE DATE: Sept. 9, 2014
Fans both young and formerly young will be pleased—100 percent.
Published in magazines, never seen since / Now resurrected for pleasure intense / Versified episodes numbering four / Featuring Marco, and Horton and more!
All of the entries in this follow-up to The Bippolo Seed and Other Lost Stories (2011) involve a certain amount of sharp dealing. Horton carries a Kwuggerbug through crocodile-infested waters and up a steep mountain because “a deal is a deal”—and then is cheated out of his promised share of delicious Beezlenuts. Officer Pat heads off escalating, imagined disasters on Mulberry Street by clubbing a pesky gnat. Marco (originally met on that same Mulberry Street) concocts a baroque excuse for being late to school. In the closer, a smooth-talking Grinch (not the green sort) sells a gullible Hoobub a piece of string. In a lively introduction, uber-fan Charles D. Cohen (The Seuss, The Whole Seuss, and Nothing but the Seuss, 2002) provides publishing histories, places characters and settings in Seussian context, and offers insights into, for instance, the origin of “Grinch.” Along with predictably engaging wordplay—“He climbed. He grew dizzy. His ankles grew numb. / But he climbed and he climbed and he clum and he clum”—each tale features bright, crisply reproduced renditions of its original illustrations. Except for “The Hoobub and the Grinch,” which has been jammed into a single spread, the verses and pictures are laid out in spacious, visually appealing ways.
Fans both young and formerly young will be pleased—100 percent. (Picture book. 6-9)Pub Date: Sept. 9, 2014
ISBN: 978-0-385-38298-4
Page Count: 56
Publisher: Random House
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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illustrated by Dr. Seuss
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by Dr. Seuss ; illustrated by Andrew Joyner
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by Anne-Sophie Baumann ; illustrated by Didier Balicevic ‧ RELEASE DATE: April 4, 2017
There’s lots to see and do in this big city.
A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.
Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.
There’s lots to see and do in this big city. (Informational novelty. 6-9)Pub Date: April 4, 2017
ISBN: 979-1-02760-079-3
Page Count: 22
Publisher: Twirl/Chronicle
Review Posted Online: May 30, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Anne-Sophie Baumann ; illustrated by Éléanore Della Malva ; translated by Wendeline A. Hardenberg
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by Anne-Sophie Baumann ; illustrated by Hélène Convert ; translated by Wendeline A. Hardenberg
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by Anne-Sophie Baumann & Pierrick Graviou ; illustrated by Didier Balicevic
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