A propulsive and all-too-timely near-future thriller.
It’s been about three years since HCV, a fatal cancer-causing virus targeting men, began sweeping the world.
Now, in 2023, there's no cure in sight and reproduction has been made illegal to cut down on further infections in baby boys. Men and boys are hot commodities to both the interim government and other distinctly unsavory parties, but Cole isn’t about to surrender her 12-year-old son, Miles, who seems to be immune, to anyone. In fact, the only thing she cares about is getting home to Johannesburg, South Africa, but it won’t be easy. While in the U.S. visiting family, Cole’s husband, Devon, died, and Cole and Miles were herded into army quarantine, where Miles, under the auspices of the Male Protection Act, endured a seemingly endless series of tests. But Cole just wants to go home, and soon after they're moved to a new bunker, she and her sister, Billie, who reunited with Cole and Miles at the military base after a job as executive chef on a superyacht went south, hatch an escape plan. But the conniving Billie doesn’t have their best interests in mind, and Cole is forced to resort to violence. Now Cole and Miles, disguised as “Mila,” are on the run. Meanwhile, Billie, sporting a nasty head injury courtesy of a Cole-wielded tire iron, must find Miles and deliver him to the very bad women she works for or they’ll kill her. An already hellish road trip takes a strange turn when Miles and an exhausted Cole, seeking any kind of respite, join up with the nomadic nuns of the Church of All Sorrows, a cultish order that believes men will return if women would only repent for an endless litany of sins. Cole has a plan, but getting to the departure point alive will test her—and her relationship with her son—to the very limit. Miles and his mom form the beating heart of a harrowing tale that ably explores grief, motherhood, and gender roles, and Cole’s struggle to protect Miles as he grapples with coming-of-age in a radically altered world will resonate. Beukes is a gifted storyteller who makes it thrillingly easy for readers to fall under her spell as she weaves a hypnotic vision of a fractured world without men.
A propulsive and all-too-timely near-future thriller.Pub Date: July 28, 2020
ISBN: 978-0-316-26783-0
Page Count: 416
Publisher: Mulholland Books/Little, Brown
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.
Having been falsely convicted of murder himself years ago, prosecutor Rusty Sabich defies common wisdom in defending his romantic partner’s adopted son against the same accusation.
Now 76, Rusty has retired to the (fictitious) Skageon Region in the upper Midwest, far removed from Kindle County, Turow’s Chicago stand-in, where he was a star attorney and judge. Aaron Housley, a Black man raised in a bleached rural environment, has had his troubles, including serving four months for holding drugs purchased by Mae Potter, his erratic, on-and-off girlfriend. Now, after suddenly disappearing to parts unknown with her, he returns alone. When days go by without Mae’s reappearance, it is widely assumed that Aaron harmed her. Why else would he be in possession of her phone? Following the discovery of Mae’s strangled body and incriminating evidence that points to Aaron, Rusty steps in. Opposed in court by the uncontrollable, gloriously named prosecutor Hiram Jackdorp, he fears he’s in a lose-lose situation. If he fails to get Aaron off, which is highly possible, the boy’s mother, Bea, will never forgive him. If Rusty wins the case, the quietly detached Bea—who, like half the town, has secrets—will have trouble living with the unsparing methods Rusty uses to free Aaron. In attempting to match, or at least approach, the brilliance of his groundbreaking masterpiece Presumed Innocent (1987), Turow has his own odds to overcome. No minor achievement like a previous follow-up, Innocent (2010), the new novel is a powerful display of straightforward narrative, stuffed with compelling descriptions of people, places, and the legal process. No one stages courtroom scenes better than this celebrated Chicago attorney. But the book, whose overly long scenes add up to more than 500 pages, mostly lacks the gripping intensity and high moral drama to keep those pages turning. It’s an absorbing and entertaining read, but Turow’s fans have come to expect more than that.
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.Pub Date: Jan. 14, 2025
ISBN: 9781538706367
Page Count: 544
Publisher: Grand Central Publishing
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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