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RENEGADE RED

From the The Light Trilogy series , Vol. 2

A bloody, action-stuffed rescue mission in the supernatural world of the Fae.

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In Book 2 of Horowitz’s (Shattered Blue, 2015) YA fantasy series, The Light Trilogy, a teen’s battle with brutal metaphysical forces develops her inner skills.

Teenager Noa Sullivan and her two Fae companions, brothers Callum and Judah Forsythe, dive into a collapsing Portal that allows travel between Monterey, California, and the world of Aurora, home to the Fae. They find themselves in an alternate universe where Noa must develop her own innate strengths—human and nonhuman—to rescue her little sister, Sasha. Noa’s love for Sasha spurs her to battle mystical forces in Aurora, and the Forsythe brothers’ belief in Sasha’s paranormal powers, unusual even among the Fae, causes them endless conflict over the best way to keep her safe. The new, cruel ruler of Aurora imprisons Callum and Judah, and Noa persists in her hunt for Sasha, encountering multiple physical trials along the way and assembling a posse of girl helpers. The action is relentless. Noa’s physical trials are central to her character development—the tasks hone her latent abilities to master her physical environment and are often grisly. Noa sustains a shattered shoulder, plummets down a chute so violently she assumes she’s dead, and is “slammed against one wall and then another” by a flood’s rushing waters. The reader may feel as pummeled as Noa as the gore and Fae body count pile up: “The rush of Fae slipped and fell, crashing through the now blood-and-flesh slopped spikes.” However, the strong, active storyline and deft worldbuilding help override potential reader fatigue, and YA fans will be hooked by Noa’s badassery.

A bloody, action-stuffed rescue mission in the supernatural world of the Fae.

Pub Date: March 14, 2017

ISBN: 978-0-9745956-7-2

Page Count: 432

Publisher: Papaloa Press

Review Posted Online: March 13, 2017

Kirkus Reviews Issue: May 1, 2017

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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THE PERKS OF BEING A WALLFLOWER

Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.

Pub Date: Feb. 4, 1999

ISBN: 0-671-02734-4

Page Count: 256

Publisher: MTV Books/Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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