A rumination on love and loss, faith in reason and faith in the divine.
In her fourth novel, Grodstein (A Friend of the Family, 2009, etc.) writes of loss of love and belief.
Andy Waite’s a biology professor at Exton Reed, "eleven hundred students and forty-two acres of crumbling quad hidden at the ass end of New Jersey." Andy loves teaching a class entitled "There Is No God," a Darwinian homage. Andy’s mentor was a notorious Richard Dawkins–like professor, Hank Rosenblum. But Andy’s morose; his wife, Louisa, was killed by a drunken driver. He does have two precocious daughters, and tenure’s imminent, and there’s a possible National Science Foundation grant, one related to studies about alcohol and the brain. Louisa’s death explains his research, but nothing rational explains his agreement to mentor Melissa Potter’s independent study: an objectivist argument for intelligent design. Images of Louisa linger as Andy interacts with Sheila, divorced neighbor and recovering alcoholic. As his emotional relationship with Melissa skates toward intimacy, Andy is plagued by doubts—over his project’s validity after befriending Sheila; over his unbending opposition to parole for the young driver who killed Louisa; and over his rigidity as Melissa’s warmth and generosity make real the power of spiritual belief. Rather than offering the works of St. Augustine or C.S. Lewis as rationalizations for belief, Grodstein offers the homilies of a fictional local pastor; it's a bit of an easier road, but her narrative sparkles with irony and wry observation. A fundamentalist student, Andy’s vocal opponent, loses his faith. Rosenblum’s overbearing prodding of a brilliant student who rejects science for marriage to a pastor results in her suicide. As the possibility of the divine sparks emotions Andy cannot comprehend, he learns he’s caught up in another person’s experiment. A college professor, Grodstein is perfect with her description of campus tremors radiating after a colleague strays from conventional wisdom. While Melissa’s motivations and actions are sometimes contradictory and counterintuitive, Grodstein’s portrait of Andy is spot-on, as is that of the evangelical student, Sheila, Rosenblum and the minor characters.
A rumination on love and loss, faith in reason and faith in the divine.Pub Date: Sept. 3, 2013
ISBN: 978-1-61620-112-8
Page Count: 352
Publisher: Algonquin
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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