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OUR SHORT HISTORY

A poignant and realistic portrait of the struggles with ovarian cancer that chafes a bit against its frame.

This novel is posed as a book written by a mother with stage 4 ovarian cancer for her young son about her coming to terms with her mortality.

Karen Neulander is a successful political consultant and a happy single mother, raising her son, Jacob, on the Upper West Side of Manhattan. As the book begins, she and 6-year-old Jacob are spending the summer on Mercer Island, near Seattle. The hope is to get Jacob acclimated to life there with his aunt, uncle, and cousins, who will adopt him when Karen dies, in two to three years. At Jacob’s insistence, Karen contacts his biological father, Dave—a tough task, because Karen loved Dave, was heartbroken when his response to her unplanned pregnancy was to reiterate his lack of interest in kids, and therefore left him and never told him she’d kept the baby. To her dismay, Dave is now excited to learn of his son and hopes to be involved in his life. This brings Karen to an emotional breaking point as her health deteriorates and she attempts to act as though everything is still within her control. Karen is a character many will love—determined, flawed, loving, witty. But two things get in the way of Grodstein’s (The Explanation For Everything, 2013, etc.) natural storytelling abilities. First, the whole book is written in the past tense, but much of it takes place in the present time of the story, often making it tricky to know when an event is happening. Second, despite the title, Karen mostly describes to Jacob pieces of her past from before him or the agony she is going through as she writes. Ultimately, this seems to be more an investigation into the stages of Karen's self-grieving and less an edifying guide for her son.

A poignant and realistic portrait of the struggles with ovarian cancer that chafes a bit against its frame.

Pub Date: March 21, 2017

ISBN: 978-1-61620-622-2

Page Count: 352

Publisher: Algonquin

Review Posted Online: Dec. 26, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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