Groff’s skill makes commonplace occurrences seem compelling.
Tales of ordinary transformations and everyday occurrences are made magical in a collection of nine stories by Groff (The Monsters of Templeton, 2008).
The details make the difference in this sophomore effort. They range from specific realities, as when a lonely teen swimmer watches her breath rise in “a great silver jellyfish-bubble of air” before her small town falls apart in “Lucky Chow Fun,” to dreamlike metaphor, as when another young woman feels her depression as “this black sack filled with cobras” in “Majorette.” “Lucky Chow Fun,” which returns to Templeton, the fictionalized Cooperstown, N.Y., of the author’s debut novel, was previously published, as was the vivid “L. DeBard and Aliette,” a retelling of a tragic romance, set in New York during the flu epidemic of 1918. As a collection, the stories are loosely connected by their themes of metamorphosis, as girls grow up, lose their illusions and, often, find unexpected happiness. Images of water and fire run through these tales as well: Aliette, the Heloise substitute, regains her strength after polio via swimming lessons with the handsome L. DeBard, and, in “Watershed,” a diver tells of an elderly couple who end their pain by diving into a waterfall. “There is no ending, no neatness in this story,” the narrator offers. “There never really is, where water is concerned.” The “wild, febrile, kind, ambiguous” nature of the elements may serve to explain the power in these stories, which could have faltered in the hands of a lesser writer.
Groff’s skill makes commonplace occurrences seem compelling.Pub Date: Feb. 1, 2009
ISBN: 978-1-4013-4086-5
Page Count: 320
Publisher: Voice/Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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