A historical novel that connects some dots but not all.
Kate’s adult fiction debut explores the intriguing world of Venetian orphanages that teach music to children.
Violetta and Mino are foundlings entrusted to the Ospedale degli Incurabili, originally a convent-run hospital for syphilitics. Violetta does not know who her parents are, but when she was 5, she witnessed Mino’s abandonment by his mother. Now teenagers who have met sporadically and secretly on the Ospedale’s roof, each must follow the destiny preordained by their social status in the arcane caste system of 1730s Venice. Violetta is training to join the Ospedale’s coro, the all-female ensemble that performs liturgical music to raise funds for the church. The prospects of less talented orphan girls are limited to arranged marriage, the convent, or menial servitude. As a boy, Mino is not allowed to study music, although he is gifted and has surreptitiously taught himself to play the violin. (He is also a self-taught luthier.) Male orphans like Mino are apprenticed when they age out. Kate (Unforgiven, 2015, etc.) does not stray far from the young adult staples of angst-y teens and conflicted love. Rejected by Violetta, Mino opts for Venetian street hustles in lieu of apprenticeship. Violetta is torn between the coro and the lure of professional singing, between Mino and a dashing older impresario who can make her a star. The contradictions posed by Venetian culture vis-à-vis the arts and morality are well-depicted: Coro musicians are revered, but their lives are constrained; professional musicians are viewed with contempt, and, with few exceptions, their performances are illegal. Strict moral codes ostensibly govern Venice, but the custom of wearing masks most of the year encourages all manner of anonymous vice and licentiousness, which then feeds the Ospedale system with more STD patients and abandoned, illegitimate progeny. Violetta and Mino, though, seem thinly motivated. Lacking clearly defined goals, each too often seems attracted by the latest shiny object.
A historical novel that connects some dots but not all.Pub Date: June 25, 2019
ISBN: 978-0-7352-1257-2
Page Count: 336
Publisher: Putnam
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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