Rates high in creative problem-solving and oral storytelling but low in Halloween safety.
A new “teeny tiny woman” tale joins the Halloween shelf.
Nestled in a teeny tiny house in a big forest lives a teeny tiny woman. (You get the point—for youngsters learning to tell a tale aloud, the repetition—and the changing font that indicates volume—is valuable, but adults may need a teeny tiny bit more time to throw themselves into the fun.) Every fall the diminutive woman has a problem: the autumn leaves bury her cottage. She cries out, “Oh, who will save me?” but though each time she cries a little louder than the last, it’s still not enough to attract attention. Tapping the windows and banging pots and pans also fails. Her last idea is one that will seem odd: baking cookies. But who can ignore that delicious aroma? Not the children dressed as a cat, a witch, and a ghost who are walking through the forest. The three friends dig through the leaves to uncover the source. One “trick-or-treat!” later, they are enjoying gooey cookies at the table together. While the woman’s solution is a clever one, it will also likely have parents reminding their children not to enter people’s houses on Halloween. Cole’s illustrations are full of the colors of the season. The woman, the boy ghost, and the girl witch are white; the girl cat—an orange tabby—is black. In a nice change from more traditional “teeny tiny woman” tales, this book’s protagonist is no crone but a fashionably dressed woman of indeterminate age.
Rates high in creative problem-solving and oral storytelling but low in Halloween safety. (Picture book. 4-7)Pub Date: Sept. 13, 2016
ISBN: 978-1-943978-02-1
Page Count: 32
Publisher: Persnickety Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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